Delighted to be on the #BlogTour for #TheBeresford #Leaveyoursoulatthedoor #Dontringthedoorbell by @will_carver and published by the fabulous @OrendaBooks @annecater

Firstly, I have taken my eye of the ball, AKA my diary and COMPLETELY messed up. So, with sincere apologies to all – here’s my EMBARRASSINGLY late blog post for the fabulously dark and addictive THE BERESFORD. Please do keep scrolling for some bookish chat…

Blog Tour 2021

The Blurb

Just outside the city – any city, every city – is a grand, spacious but affordable apartment building called The Beresford.

There’s a routine at The Beresford.


For Mrs May, every day’s the same: a cup of cold, black coffee in the morning, pruning roses, checking on her tenants, wine, prayer and an afternoon nap. She never leaves the building. Abe Schwartz also lives at The Beresford. His housemate Smythe no longer does. Because Abe just killed him. In exactly sixty seconds, Blair Conroy will ring the doorbell to her new home and Abe will answer the door. They will become friends. Perhaps lovers.


And, when the time comes for one of them to die, as is always the case at The Beresford, there will be sixty seconds to move the body before the next unknowing soul arrives at the door. Because nothing changes at The Beresford, until the doorbell rings…

Don’t ring the doorbell…

My thoughts…

When you open a Will Carver book anything can happen. This is my third read from Carver, previous reads being, Nothing Important Happened Today and Hinton Hollow Death Trip (I loved the vibe and message this particular book delivered) – review here: https://booksteaandme.blog/2020/07/21/blogtour-for-hintonhollowdeathtrip-by-will_carver-dspace-orendabooks-annecater/

I loved the concept behind this novel after receiving the blurb – leaving your soul at the door? I’m in! The Beresford title has a tantalising pull to it too, so I jumped at the chance to join the blog tour.

Oh, Oh Oh Mrs May, you old devil you! A key player in THE BERESFORD is its caretaker, Mrs May. Seemingly fragile, a woman of routine, taking afternoon naps (ah, bless her) and taking care of her roses. She is also responsible for the tenants who reside at The Beresford, and believe me, there’s going to be quite a few to keep track of. However, firstly we must consider Abe, the first resident we are hooked onto – unfortunately we don’t get to meet Sythe, his housemate; he’s just killed him as the novel opens and so the tone of the novel is set… and the doorbell comes alive to mark the changing of residents. Carver again subverts form and structure, who we believe to be a central character is challenged and squashed throwing our expectations into disorientation until a pattern emerges. I did worry this formula would become a little benign and predictable as new characters emerged and the doorbell kept ringing – there are elements of this – but I think that’s the point; Carver’s capable authorial crafting controls and builds the narrative into a horror-fuelled climax.

Carver’s Beresford is without doubt a compelling concept. The reader is always thrust off-kilter by the narrative jumps and twists, although a seemingly expected pattern emerges, but as soon as you adjust, Carver promptly sends another swing ball your way. There’s no doubt this book is dark; the horror tone is played with through injected humour and character development. It’s a question of wants, needs, desires, escapism and society. It’s also a question of how far we can go to obtain what we want and feel we have the right to. It’s bold, direct and dark. It’s also an unabashed and crafted comment on humanity.

If you get a moment, do take a walk to The Beresford and just ring the doorbell… I’m sure you’ll be fine.

The Author

Will Carver

Will Carver is the international bestselling author of the January David series. He spent his early years in Germany, but returned to the UK at age eleven, when his sporting career took off. He turned down a professional rugby contract to
study theatre and television at King Alfred’s, Winchester, where he set up a successful theatre company. He currently runs his own fitness and nutrition company, and lives in Reading with his two children.

Will’s latest title published by Orenda Books, Hinton Hollow Death Trip was longlisted for the Not the Booker Prize, while Nothing Important Happened Today was longlisted for the Theakston’s Old Peculiar Crime Novel of the Year and for the Goldsboro Books Glass Bell. Good Samaritans was a book of the year in Guardian, Telegraph and Daily Express, and hit number one on the eBook charts.

Please check out https://orendabooks.co.uk/ and buy from independents if you can XX

#BlogTour #MIMICAUDIOTOUR #CompulsiveReaders @Tr4cyF3nt0n with thanks to @orionbooks @DanielColeBooks @Jude_owusu

I’m delighted to be joining the MIMIC Audio Tour for Orion Books. I’m a huge fan of Cole’s RAGDOLL trilogy, so jumped at the chance to listen to the audiobook of Mimic. It’s read beautifully by Owusu, who captures the nuances of the storytelling well and injects Cole’s narrative humour with style. Thanks to all!

Audiobook read by Jude Owusu

The Blurb

In life she was his muse . . .

In death she’ll be his masterpiece.

1989: DS Benjamin Chambers and DC Adam Winters are on the trail of a serial killer with a twisted passion for recreating the world’s greatest works of art through the bodies of his victims. After Chambers nearly loses his life, the case goes cold due to lack of evidence. The killer lies dormant, his collection unfinished.

2006: DS Marshall has excelled through the ranks of the Metropolitan Police Service, despite being haunted by the case that defined her teenage years. Having obtained new evidence, she joins Chambers and Winters to reopen the case. However, their resurrected investigation brings about a fresh reign of terror, the team treading a fine line between delivering justice and becoming vigilantes in their pursuit of a monster far more dangerous and intelligent than any of them had anticipated…

My thoughts…

As I said earlier, I loved the RAGDOLL series, each book was contrasting in style and I really engaged with this variation and creativity. Daniel Coles books are always fun to read, despite taking you into dark places, minds and events. The thrillers are carefully plotted with both dramatic and creative deaths and crimes – so be warned, this isn’t for the faint of heart.

I listened to the audiobook which was skillfully narrated by Jude Owoso and despite a more leisurely pace to the opening, events and pace build steadily and suddenly you’re hooked in and turning the pages at a pace.

There’s a great and slightly unusual character driven team working on the central investigation: DS Ben Chambers, PC Adam Winters and the modern newbie DC Jordan Marshall. The crime investigation initially begins in 1989 shifting to the reopening in 2006 and I enjoyed the changes of both the investigation, the development and changes of the 1989 investigators.

A part of Cole’s books that add to their charm, even though it’s rather macabre at times, is the humour, which I’ve also really enjoyed in previous Cole books – so please expect a chuckle along the way, if dark humour works for you? I think it comes across really well in the audiobook, perhaps much better than the physical book – this is of course helped along by the skillful narration of Owoso.

I don’t usually listen to audiobooks first, I tend to save them for favourite reads, purely because of my attention span. However, I did get hooked into MIMIC. I wasn’t as involved as I was with the RAGDOLL reads but that’s my personal reader response, not a criticism. Cole writes great books.

With the theme of art, specifically Rodin’s ‘The Thinker’ sculpture opening this crime mystery, Cole has created an intelligent cold case crime at the heart of this thriller. The reader follows the team as they hunt the perpetrator of the sick crimes that haunt them, to find closure on the case and to seek justice.

A gruesome crime thriller based on recreating famous works of art in the most macabre way. An intelligent, absorbing and addictive listen.

The Author

Daniel Cole

Daniel Cole has worked as a paramedic, an RSPCA officer and most recently for the RNLI, driven by an intrinsic need to save people or perhaps just a guilty conscience about the number of characters he kills off in his writing. He currently lives in sunny Bournemouth and can usually be found down the beach when he ought to be writing. Daniel’s debut novel Ragdoll was a Sunday Times bestseller and has been published in over thirty-five countries.

#ThisIsHowWeAreHuman #blogtour @OrendaBooks @LouiseWriter #BookReview

I’m delighted to be a part of Orenda Books blog tour for ‘this is how we are human’ by Louise Beech – thank you Anne, as always, for the invite. I’d previously read Beech’s ‘I am Dust’ and loved it, so couldn’t wait to read this new release. Do keep reading for the blurb and some bookish chat 🙂

THE BLURB

Sebastian James Murphy is twenty years, six months and two days old. He loves swimming, fried eggs and Billy Ocean. Sebastian is autistic. And lonely.

Veronica wants her son Sebastian to be happy … she wants the world to accept him for who he is. She is also thinking about paying a professional to give him what he desperately wants.

Violetta is a high-class escort, who steps out into the night thinking only of money. Of her nursing degree. Paying for her dad’s care. Getting through the dark.

When these three lives collide – intertwine in unexpected ways – everything changes. For everyone.

My thoughts…

‘THIS IS HOW WE ARE HUMAN’ caught my eye due to the subject matter of autism in early adulthood. We often hear about autism in much younger people, where there is a lot of support in place, however once a young person hits a certain age then this support can become much less visible, and the demands on the families much more complex. This book highlights the ongoing needs of a young autistic man called Sebastian, who loves ‘fried eggs’ and ‘swimming’ but is lonely. He’s also a young man who desperately wants to have sex.

At the heart of this book is struggle. The struggle to connect; the struggle to understand and the struggle to heal. Beech tells her story through three narrative perspectives, these fuse together with an emotive clarity as we follow the journeys of Sebastian, his mother Veronica and Isabelle AKA Violetta. The women’s stories for me added some really important depth to this story; I was fully immersed from the onset in the lives of this entwined trio.

Beech doesn’t hold back, and it’s right that the story is told openly, honestly and often brutally. This is difficult material but it’s successful because the characters are crafted with such care and openness you simply cannot fail to be ensnared by their stories. In particular, the voice of Sebastian dominants the novel and this turns the book into something special. Sebastian’s voice represents so many people with autism and reading this book provides a glimpse through his eyes: be prepared to laugh and cry as Beech juxtaposes beautifully so many aspects of the autistic world. This is a human story, with all its foibles. There’s devastation, adoration, deep love, brutal realities and harsh truths.

Insightful, thought-provoking and beautifully empathic writing from Louise Beech.

PS: Louise – this would make a great stage play!!!

BLOG TOUR

It’s lovely to be a part of the #BlogTour for #AlltheMurmuringBones by @angelaslatter with thanks to @Sarah_Mather_15 @titanbooks

Blurb

Long ago Miren O’Malley’s family prospered due to a deal struck with the mer: safety for their ships in return for a child of each generation. But for many years the family have been unable to keep their side of the bargain and have fallen into decline. Miren’s grandmother is determined to restore their glory, even at the price of Miren’s freedom.

A spellbinding tale of dark family secrets, magic and witches, and creatures of myth and the sea; of strong women and the men who seek to control them.

My thoughts…

There’s a root of darkness in the setting and plot of All the Murmuring Bones – a tale based on an Irish cultivated land where magical creatures exist. That’s not to say this is a magical book; there’s a real sense of historical realism in the world as well but deepened with embedded folklore throughout the narrative, which I enjoyed.

Whilst for me the dark gothic fairy-tale vibe was not as expected – there’s certainly a darkness and creepy tone to the writing as we find out more about our central character, Miren, and follow her journey to discover the truth hidden behind the layers of mystery within her family.

A dark and challenging journey centres the novel; it’s presented in a slow and heavily detailed narrative that never rushes. A dash of murder and intrigue deepens the story and I enjoyed the battle for the survival of the bloodline, the ruthlessness of the journey at times and the bargains for survival with magical creatures.

There’re some fabulous settings – in particular atmospheric descriptions of the story’s key locations: Blackwater and Hob’s Head. The characters are a mix of surface with some depth – from my reading experience I wanted more development and depth as I found I wasn’t too connected at times, which did affect my personal reading experience – but that’s just me.

Overall, this is a great book for people who enjoy a darker story with morally questionable characters and enjoy folklore. Super story-telling and world building. There are some fabulous descriptions throughout the book and a great central character arc to follow as Miren has to adapt to her situation and environment.

Thanks so much to Titan Books for inviting me to chat about All the Murmuring Bones and to the author for the story!

Please do buy from independents if you can XX

#Reviews #TheKillingKind by Jane Casey and #TheVirtuesofVice by Catherine C. Heywood

I’m attempting to read and review all my NetGalley books this month and although ‘The Killing Kind’ is my most recent review copy, I can’t help but bump up any Jane Casey book to the top of the pile. Although it’s not a Maeve Kerrigan novel, (I’m a huge fan of this series) it’s a great thriller read. The second is the sequel to ‘Ground Sweet as Sugar’ by a lovely lady called Catherine C. Heywood whom I’m delighted to have connected with via Twitter and Instagram. Do keep scrolling for some bookish chat.

Published 27th May, 2021

The Killing Kind by Jane Casey

This is a deftly plotted thriller from Jane Casey and comes highly recommended. The novel’s protagonist, Ingrid Lewis, is a London barrister and through one of her cases we are introduced to John Webster: a high functioning sociopath, who is a constant presence during the book. I had so many questions about him and he provides an additional thriller element of trust. There are two other male figures circling around Ingrid to mix up the drama and both add to the question of who can be trusted.
Casey has certainly plotted with panache! There are so many layers and via a narrative of mixed time frames, emails and court documents the reader needs to work hard to make the connections and work out where the story is taking you; to find out who is hiding behind their lies.
I must admit I had a strong suspicion about one of the culprits early on, so it was enjoyable tracking the clues to the dramatic conclusions and reveals.
I’d certainly recommend this book to thriller fans – it’s intelligent, cleverly weaved and provides many doubts, twists and spins until the final reveal.
Despite not being the wanted 2021 release of the next book in Casey’s fabulous Maeve Kerrigan series, I was content with this standalone whilst waiting. If you haven’t read any of the Maeve Kerrigan crime reads you are absolutely missing out. It’s an exceptional crime, thriller series and is highly recommended.
‘The Killing Kind’ gets a thumbs up from me. Addictive, satisfying and crafty.

Published 16th March, 2021

The Virtues of Vice by Catherine C. Heywood

‘The Virtues of Vice’ continues the story began in ‘Ground as Sweet as Sugar’ (you’ll definitely need to read this before to understand what’s happening) and our lead characters Charlotte and James are battling with both current events and their feelings for each other. Life in the West Indies remains tough and there’s a balance to be found, not only in their personal lives but in the world around them.
The drama certainly continues for Charlotte as she is punished for her part in crimes of the previous book. James is, as always, on her side, even when he perhaps shouldn’t be. Heywood’s characters have flaws and Charlotte certainly does; this can alienate her from the reader and we have to remember this fiction is set in a far-removed time to understand events and decisions. James and Charlotte’s relationship does dominate the book, but we also have dangers and manipulations to deal with. This is a world of strife, greed, desires, domination and despair. But it’s balanced by the positives: love, loyalty and friendship.

Heywood, as always provides a story that drags the reader into some wonderful escapism, romance and high drama.
A book of consuming love, justice, power and revenge, where the end to all virtue is finally happiness.

#BlogTour for #TheArtofDeath by @davyfennell @ZaffreBooks @Tr4cyF3nt0n #CompulsiveReaders

Thanks to Tracy for the invite and to the publisher for the review copy. It’s great to get the chance to review a debut novel and Fennell’s serial killer thriller certainly hits the mark. Please do keep scrolling for some bookish chat.

The Blurb

An underground artist leaves three glass cabinets in Trafalgar Square that contain a gruesome installation: the corpses of three homeless men.

With the artist promising more to follow, newly-promoted Detective Inspector Grace Archer and her caustic DS, Harry Quinn, must race against time to follow what few clues have been left by a savvy killer.

As more bodies are exhibited at London landmarks and live streamed on social media, Archer and Quinn’s pursuit of the elusive killer becomes a desperate search.

But when Archer discovers that the killer might be closer than she originally thought – she realises that he has his sights set firmly on her . . .

He is creating a masterpiece. And she will be the star of his show.

My thoughts

Fennell introduces the reader to an absorbing protagonist in his debut thriller ‘The Art of Death’. It’s great when you become hooked into a new detective thriller and really connect with the lead characters. The opening investigation is led by DI Grace Archer and DS Harry Quinn, a confident ‘side-kick’ who’s smart and shows the capacity for great loyalty as the book, and hopefully series, progresses. It’s great we have some fully rounded characters to hook into, that are written with realism and have enough background depth to keep up the interest in their personal lives, despite the gruesome unfolding events of the murders they are investigating.

Set in London, we are introduced to a new killer on its streets. This predator really resonates with our modern society, using social networks to hunt for prey. The detached, cold feel of the murderer is really striking through the opening pages and builds throughout the book. The reader is aware from early events that DI Archer will have a bigger part to play in the crimes, and the tension builds through the pages as we await what will happen.

I really enjoyed the plotting and pace of this book; I must admit I guessed very early on who the guilty party was and where it was heading (I think reading crime novels for 30 years has helped, rather than a structural/plotting flaw by the author), so for me another plausible potential murderer would have been a useful red herring to get me off the scent. However, as all reading is a personal experience, this by no means deflates this novel. It’s an impressive debut and I hope will lead to a new and exciting series featuring Archer and Quinn.

A highly recommended debut crime thriller read. This creepy page-turner will pull you into a macabre world where the hunt for a killer consumes the pursers until the heart-stopping climax.

The Author

David Fennell was born and raised in Belfast before leaving for London at the age of eighteen with £50 in one pocket and a dog-eared copy of Stephen King’s The Stand in the other. He jobbed as a chef, waiter and bartender for several years before starting a career in writing for the software industry. He has been working in Cyber Security for fourteen years and is a fierce advocate for information privacy. To find out more, visit his website: www.davidfennell.co.uk and follow him on Twitter: @davyfennell

The Blog Tour

#BlogTour for #TheDarkRoom by @samblakebooks and published by @CorvusBooks with thanks to Anne @RandomTTours for the tour invite.

I read and enjoyed Sam Blake’s Cathy Connolly series starting with Little Bones, so jumped at the chance to be a part of the blog tour for The Dark Room, as always thanks to Anne for the invite (always super communication and professionally organised blog tours). A final thanks to Corvus Books for the review copy. Please so keep scrolling for some bookish chat…

In a house full of secrets, the past never dies…

The Blurb

Rachel Lambert leaves London afraid for her personal safety and determined to uncover the truth behind the sudden death of a homeless man with links to a country house hotel called Hare’s Landing.

New York-based crime reporter Caroline Kelly’s career is threatened by a lawsuit and she needs some thinking space away from her job. But almost as soon as she arrives, Hare’s Landing begins to reveal its own stories – a 30-year-old missing person’s case and the mysterious death of the hotel’s former owner.

As Rachel and Caroline join forces, it becomes clear that their investigations are intertwined – and that there is nothing more dangerous than the truth… 

My thoughts…

This is my sort of mystery thriller read; a book dripping with ‘Rebecca vibes’ and saturated with a mystery tinged with the supernatural. I love a good puzzle and this book provides a few, despite still having questions at the end, it’s a satisfyingly welcome escape from our current covid-imprisoned world.

The protagonists are two women, seemingly worlds apart, who are on a course of convergence via a journey of personal reflection, a hunt for answers, the reawakening of the past and its buried secrets; this uncovering is going to bluntly impact their lives and futures. The setting, for the most part, is Hare’s Landing – a house in West Cork that has been containing secrets for many years. It’s now a guest house, where a rather ‘Mrs Danvers’ like employee overseas the guests as they arrive, and certainly keeps an eye on them!

The reader soon becomes hooked into the strange, supernatural occurrences and begins to build the secrets and events into a slow uncovering of the truth. There’s a nice friendship that develops between the two female leads as they join forces to find out they are being targeted. There’s the additional burden of a menacing intruder, a mysterious suicide of the past, a missing person’s investigation to add to the complex twists and turns the women find themselves embroiled in. The pace is steady until 60% in and then it moves swiftly to its conclusion.

A book of secrets, suspicions and murder set in a remote house where the past lives of the two protagonists become entwined in a supernatural edged mystery.

The Author

Sam Blake

Sam Blake is a pseudonym for Vanessa Fox O’Loughlin, the founder of The Inkwell Group publishing consultancy and the hugely popular national writing resources website Writing.ie. She is Ireland’s leading literary scout and has assisted many award-winning and bestselling authors to publication. As Sam Blake, she has written four previous novels and has topped the Irish bestseller chart.

The Blog Tour

Please buy from independents if you can XX

#BlogTour for #Winterkill by @ragnarjo #DarkIceland @OrendaBooks and expertly translated by @givemeawave

It was lovely to be invited on the BLOG TOUR for WINTERKILL (thank you Anne!) and the atmospheric book cover design really caught my eye too; the bleak landscape looks a perfect setting for this latest book in the NORDIC NOIR Dark Iceland crime series, published by the fabulous ORENDA BOOKS. Please keep scrolling for lots of book information and chat…

The million-copy bestselling DARK ICELAND series returns…

The Book Blurb

When the body of a nineteen-year-old girl is found on the main street of Siglufjörður, Police Inspector Ari Thór battles a violent Icelandic storm in an increasingly dangerous hunt for her killer … The chilling, claustrophobic finale to the international bestselling Dark Iceland series.

Easter weekend is approaching, and snow is gently falling in Siglufjörður, the northernmost town in Iceland, as crowds of tourists arrive to visit the majestic ski slopes.

Ari Thór Arason is now a police inspector, but he’s separated from his girlfriend, who lives in Sweden with their three-year-old son. A family reunion is planned for the holiday, but a violent blizzard is threatening and there is an unsettling chill in the air.

Three days before Easter, a nineteen-year-old local girl falls to her death from the balcony of a house on the main street. A perplexing entry in her diary suggests that this may not be an accident, and when an old man in a local nursing home writes ‘She was murdered’ again and again on the wall of his room, there is every suggestion that something more sinister lies at the heart of her death…

As the extreme weather closes in, cutting the power and access to Siglufjörður, Ari Thór must piece together the puzzle to reveal a horrible truth … one that will leave no one unscathed.

Chilling, claustrophobic and disturbing, Winterkill marks the startling conclusion to the million-copy bestselling Dark Iceland series and cements Ragnar Jónasson as one of the most exciting authors in crime fiction.

The Blog Tour

2020 Blog Tour Dates

My thoughts…

Firstly, I need to admit that this is my first time reading Ragnor Jonasson’s DARK ICELAND books, so I’m very late to the series, and I’m beginning at the end! Jonasson has been billed as writing ‘Nordic Noir of the highest order’ and ‘breathing new life in Nordic Noir’, so I was very excited to read WINTERKILL. It’s the sixth installment in the series, which began in SNOWBLIND and introduced the series protagonist Detective Ari Thor Arason. So our principle character has obviously a long history with fans of these books, and I looked forward to reading to see how this works as standalone for a new reader. What a credit to the skills of the writer, that its quality narrative relays enough information to settle the reader in and the new investigation runs beautifully alongside this.

WINTERKILL is a quality Nordic Noir (translated brilliantly by David Warriner) that reels you in from the opening emergency operator call to the duty Inspector on call: Ari Thor Arason. Siglufjordur is the setting, a land of day and night, where the sun barely sets in the summer. It’s so remote, it becomes almost uninhabitable. This remote Northern Icelandic village provide the frozen backdrop to the investigation of a teenage girl’s body found in a unusual setting.

Now, in term’s of character, obviously I’m missing the previous character developments, so have only a surface level of understanding of this journey through the series narrative. I was aware I missed out, but in all honesty, it didn’t impede my enjoyment of this book. There’s a great sense of humanity in Ari, and you can’t help but respect how he works and lives; he’s a character who’s dealing with several issues in his private life as well and these pop up throughout the central crime story.

The investigation is a delight for the reader to follow, pick up clues and surmise where the plot is heading. It’s really well crafted and the quality of the translation adds to the success of this. The pace is slow, but works. The readers glances in onto different characters as Arason investigates the complex nature of a seemingly tragic suicide.

I did find the contemplative nature of the story-telling the more dominant aspect of the book, perhaps as it’s the end of the series, and therefore the crime is in a more secondary position. From the more reflective, personal thoughts of our protagonist the reader gets a sense of humanity, desires, needs, love and reflection – all working well to add depth. For many, this is the final book in a loved series, for me, it’s the start of a new adventure – to find out how we arrive at this point, and I look forward to beginning my journey.

An accomplished character driven crime novel, set in a unique world of snow and light, where the darkness in humanity is uncovered by a driven, complex and engaging protagonist.

The Author

Ragnar Jonasson

Icelandic crime writer Ragnar Jónasson was born in Reykjavík, and currently works as a lawyer, while teacher copyright law at the Reykjavík University Law School. In the past, he’s worked in TV and radio, including as a news reporter for the Icelandic National Broadcasting Service. Before embarking on a writing career, Ragnar translated fourteen Agatha Christie novels into Icelandic, and has had several short stories published in German, English and Icelandic literary magazines. Ragnar set up the first overseas chapter of the CWA (Crime Writers’ Association) in Reykjavík, and is co-founder of the International crime-writing festival Iceland Noir.

Ragnar’s debut thriller, Snowblind became an almost instant bestseller when it was published in June 2015 with Nightblind (winner of the Dead Good Reads Most Captivating Crime in Translation Award) and then Blackout, Rupture and Whiteout following soon after. To date, Ragnar Jónasson has written five novels in the Dark Iceland series, which has been optioned for TV by On the Corner. He lives in Reykjavík with his wife and two daughters.

WINTERKILL publishes 21 January 2021

http://orendabooks.co.uk/

#BlogTour for #TheLostDiaryof Venice by @MargauxDeroux and published by @orionbooks @TrapezeBooks – with thanks to Alex for the tour invite :-)

A secret diary. A forbidden love. A centuries old mystery to solve.

The Book Blurb

When a rare sixteenth-century manuscript lands on her desk courtesy of William, a struggling painter, shy book restorer Rose makes a startling discovery: it is a palimpsest. Beneath the text is a different document, one that’s been written over. What they discover is the secret diary of William’s ancestor, Giovanni Lomazzo, a Venetian painter who has just been commissioned by Venice’s most powerful admiral to paint a portrait of his favourite courtesan… it is a diary of forbidden love, dangerous political plots, and secrets that could destroy everyone involved.

Together, Rose and William work to solve the mystery of what happened to the secret lovers. As feelings develop between Rose and William, their own experience begins to mirror the affair that they’re uncovering, and each set of lovers is forced to confront the reality of their romance.

A richly detailed and sweeping page-turner, Margaux’s sumptuous portrait of late Renaissance Italy will have you falling headlong into history, slipping in and out of the shadows along the canals of Venice.

A secret diary. A forbidden love. A centuries old mystery to solve.

My thoughts…

I do enjoy historical fiction, so was delighted to read The Lost Diary of Venice for its BLOG TOUR. This is a book of layers that moves from modern day back into the past to Renaissance Italy of the 1500s. There’s a meandering pace to the narrative; this is not a negative. It gives the reader time to savour the richness of the historical detail that clearly comes from a labour of love and superb historical research. I enjoyed the historical writing more than the modern day setting, but both are linked really well as we learn about obsession, needs, desires, love and longing.

The historical plot is rooted in actual history, a tale of artists, courtesans, spies, anti-Semitism and war. I loved the character and journey of Giovanni, an artist who is beginning to lose his sight; it is his reawakening under the care of the alluring, layered character of Chiara that really hold this book together.

There’s a great deal of character development and plotting that works so well in this book, even the villain of the piece is given a reason for his behaviour, of how trauma and pain has molded him into the cruel, detached bigot he has become at this point in the story.

In the modern day world, the past is awakened by the discovery of Giovanni’s diary and through this two people, who are feeling rather lost, connect with each other. It’s another layer from the author and the reader questions the connections we form in relationships, and how time alters our feelings and sometimes we lose a sense of what we had, or have lost. Can these things be regained? Or should we disconnect and find something more ‘real’ and ‘true’ in new experiences. I enjoyed the question of ‘what is real’ in these situations.

It’s a recommended read from me, so do consider The Lost Diary of Venice if you enjoy layered historical fiction with romance, war, culture, mystery and art – lovely escapism for 2020!

The Blog Tour

#TheDoorsofRiverdell by #MarianneRosen #BookLaunch

I was delighted to have been asked to join Marianne’s launch team for THE DOORS OF RIVERDELL, book one in the RIVERDELL SAGA. Marianne’s book and lots of bookish gifts arrived in the post; I met the other fabulous book launch team and began a journey of book chats, bookish activities and new bookish friendships.

I’m delighted to share my final review of THE DOORS OF RIVERDELL and also a couple of the lovely photographs I’ve designed along the journey, do keep an eye out for the lovely bookish candle from Wordsmith Candles.

And, of course, please keep scrolling for some bookish chat about THE DOORS OF RIVERDELL…

Even the most beautiful home can’t guarantee happiness…

The book blurb

Isabelle Threlfall has always called Riverdell House, in the historic rural town of Ludlow, her home. But home has its complications. There’s her Aunt Elsa angling for commitment, cousin Hester to avoid and the failure of her long-term relationship to face. Working away seems the best solution but when Elsa’s eldest son dies and her two estranged grandchildren, Moth and Nat, arrive at Riverdell, Isabelle is called home to help.

Kit de Lavelle is hard on her heels. He’s waited fifteen years for Isabelle to ditch her childhood sweetheart and adore him instead but he’s about to discover that closing the doors to his own past is harder than expected.

As Moth and Isabelle form a close bond trading family secrets and avoiding their own, Elsa finds courage in her memories to face the truth she has hidden from them all. But as the future is decided will Moth and Isabelle still be able to call Riverdell their home?

Step behind the gleaming doors of Riverdell and into the troubled waters of the family.

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My thoughts: The Doors of Riverdell by Marianne Rosen

The Doors of Riverdell is told via four narrative perspectives, one rooted in the past and three more individual voices of Kit, Isabelle and Moth, who are our guides to life at Riverdell and beyond in this first book of a four part saga. This is one of those books where concentration is required, as, like most first meetings, the reader needs to adjust to timeframes, characters, and connections as we ease into Rosen’s world. I love the concept of storytelling through the setting of a real character house; Riverdell is one of those buildings that is meticulously designed for the reader and the idea of home is an important aspect of the novel and for its characters.

What is clear from the onset is that the cast of characters are very human: flawed, contradictory, unsure, overconfident, sluggish, uncertain, and questionable. The focus of this first book is on three characters in particular, the adrift Isabelle, the brash Kit, and the conflicted Moth. I would also keep in mind that this book is a narrative that runs across four books, and therefore so do the character arcs; there’s a lot of development during this first book that may not be fulfilling for the reader by the closing lines of this part of the saga.

It is also worth noting there are sexual scenes interspersed throughout the novel, and at first, I admit I found these rather jarring and stylistically slightly disjointing. From the blurb and style of the book, I was not expecting the tone and nature of some of the sexual encounters, both described and implied. However, on reflection I began to see Rosen’s intentions behind them; she is trying to be true to her characters’ natures and their behaviours with one another: their sexualities are an inbuilt and intrinsically human part of that.

Nature and environment are strong factors in the narrative and I really enjoyed the sense of place and setting throughout. The organic qualities of the nature world served as an indelible link to those living at Riverdell and connected their pasts, present and futures in beautifully detailed descriptions. This ingrained sense of nature in the book is superb and the author’s love of Ludlow is rooted solidly throughout.

With themes of community, self, family, sexuality, identity, the past’s hold on our futures, home, and connections – The Doors of Riverdell is an exciting start to a new literary saga. If you enjoy family dramas, I can certainly recommend you walk through both the literal and metaphorical doors of Riverdell in this first book of Rosen’s four-part series.

The Author

Marianne Rosen

Marianne Rosen was apprenticed to a master upholsterer for six years before setting up her own interior consultation business, specialising in grand houses and fabrics. Along the way, she gained a degree in Literature, became an English language teacher, a semi-professional dancer and taught cabaret. By the time she was 36, she had lived in 36 houses, carting her large collection of books around with her. That same year, she met her partner, a fourth-generation farmer who lives in the house he was born in. They live on an organic farm in a Grade 2 listed farmhouse on the Shropshire-Herefordshire border. Marianne is part of the Hay Writers’ Group and has performed her work at Hay Festival. She writes modern family sagas that explore the longing for home and the need to belong. When not writing she likes to take off in her old VW T4 to research what she might write next. Her debut novel, The Doors of Riverdell, is out on 25th November 2020.

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