Very pleased to be on the #BlogTour for #TheQuickening by @sarahrward1 #Bookreview with thanks to @TrapezeBooks and @alexxlayt

A huge thanks to Alex for sending me a copy of The Quickening , it’s a gorgeous looking book, and seemed a perfect genre match for me, and I was right; I had such an enjoyable ride reading this one.

Keep scrolling for more bookish chat…

A séance recreated. A secret revealed.

Blurb

An infamous séance. A house burdened by grief. A secret that can no longer stay buried.

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly re-married and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex to photograph the contents of the house for auction. Desperate for money after falling on hard times, she accepts the commission.

On arrival, she learns Clewer Hall was host to an infamous séance in 1896, the consequences of which still haunt the family. Before the Clewer’s leave England for good, the lady of the house has asked those who attended the original séance to recreate the evening. Louisa soon becomes embroiled in the strange happenings of the house, unravelling the longheld secrets of what happened that night thirty years before… and discovers her own fate is entwined with Clewer Hall’s.

My thoughts…

I love gothic fiction, so jumped at the chance to read Rhiannon Ward’s The Quickening, described as a supernatural, chilling historical mystery; centering around a séance at a crumbling, isolated hall in Sussex. With that introduction, there’s no way I’m not in!

We begin with two quotes, a definition of quickening, which is a time in pregnancy where the female can feel dizzy, nervous or experience hysteria. The other from Sir Arthur Conan Doyle, from his collection of essays, The History of Spiritualism, that explores the question of life after death, and seeking to know if communication is possible with passed loved ones to seek ‘the touch of a vanished hand, and the sound of a voice that is still.’ This sets up the tone of the narrative, that is split over two time periods.

Our story begins in 1925, where the central protagonist wakes from a dream, filled with memories of the past and those she has lost. This is Louisa Drew, and she is a woman ahead of her time, with a strong determination to achieve and contribute to her life and wider world. She’s a photographer, and despite being heavily pregnant takes on a job at Clewer Hall, to photograph household items for a auction. She knows her second husband will object, so she arranges to leave before he gets home and finds out. I liked Louisa from the start, and soon we begin to realise that Clewer Hall and its inhabitants are hiding many secrets, and that Louisa’s new commission will not be straightforward.

I love crumbling expansive mansions in isolated settings, adding a heavy dose of gothic atmosphere and I’m hooked. This is my kind of book and I thoroughly enjoyed it. I loved the merging of mystery thriller, gothic deliciousness, supernatural events and murder. However, it’s the additional depth that really resonated with me, from the devastation of World War One, to female empowerment, photography methods of the time, grief and finding the strength to change your life, even in difficult circumstances.

Added to all this, there’s the intrigue of the recreated séance, the mysterious behaviour of the characters, and Louisa’s increasingly dangerous position that racks up the tension. The séance adds an intensely creepy tone that adds malevolence with increasingly odd, and unexplainable events to add turmoil to Louisa’s commission. There’s a darkness lurking in the shadows of the house, and this drives the narrative; the reader begins to piece together the clues, that reveal the truth of the house. Along the way, Louisa makes both enemies and friends, but she remains determined. There’s a little of a romance sub-plot which is nicely handled, and adds to Louisa’s spirit and determination to live her life, and build her future in her own terms.

Overall, I highly recommend this book to people who enjoy historical gothic fiction, and enjoy some supernatural thrills.

I struggled to put it down, a goose-bump inducing supernatural ride! Read it!

#BlogTour for #TheGirlFromWidowHills by @MeganLMiranda @CorvusBooks #RandomThingsTours @AnneCater

It’s lovely to be a part of this blog tour for Megan Miranda’s ‘The Girl From Widow Hills’, with thanks to Anne Cater for the tour invite, and to Corvus Books for the gifted copy. Please keep reading for some bookish chat…

The Blurb

Everyone knows the story of the girl from Widow Hills.

When Arden Maynor was six years old, she was swept away in terrifying storm and went missing for days. Against all odds, she was found alive, clinging to a storm drain. A living miracle. Arden’s mother wrote a book, and fame followed. But so did fans, creeps and stalkers. It was all too much, and as soon as she was old enough, Arden changed her name and left Widow Hills behind.

Now, a young woman living hundreds of miles away, Arden is known as Olivia. With the twentieth anniversary of her rescue looming, media interest in the girl who survived is increasing. Where is she now? The stress brings back the night terrors of Olivia’s youth. Often, she finds herself out of bed in the middle of the night, sometimes outside her home, even streets away. Then one evening she jolts awake in her yard, with the corpse of a man at her feet.

The girl from Widow Hills is about to become the centre of the story, once again

My thoughts…

I do love a good mystery thriller, and ‘The Girl from Widow Hills’ is a hurtling page turner that I devoured in one sitting. This is the story of Olivia, well actually Arden, before she decided to change her name and begin again. This is a mystery at its core, but it’s also a tale of trauma, greed and murder.

During the story of this carefully plotted novel, we join Olivia as she tries to make sense of what’s happening around her – via sleep walking blackouts, blood-covered hands, missing weapons, strange behaviours and figures from her past. There’s not much time for pause, as the reader begins to piece together events from the past, told via transcripts, interviews, press reports, voicemail, 911 call logs, and stirring memories. I enjoyed these snippets and they created additional interest to the main narrative.

I really enjoyed this book, it’s atmospheric, well-plotted and from the opening pages I was immersed into Olivia’s story, and the puzzle of the girl from Widow Hills. There’s a hard to spot twist, (always welcome) some disquieting psychological interplay, and a compelling group of suspects to track to the nail-biting climax of the dramatic closing pages.

I was hooked, so definitely a recommended read from me.

The Author

Megan Miranda

Megan Miranda is the author of All The Missing Girls, The Perfect Stranger, and The Last House Guest, which was the August 2019 Reese’s Book Club x Hello Sunshine pick. She grew up in New Jersey, graduated from MIT, and lives in North Carolina with her husband and two children.

Follow @MeganLMiranda on Twitter and Instagram, or @AuthorMeganMiranda on Facebook.

Blog Tour

Please buy from independents if possible XX

#BlogTour ‘The Woman Downstairs’ by Elizabeth Carpenter

I’m delighted to be on the blog tour for ‘The Woman Downstairs’ with thanks to Orion Fiction and Tracy Fenton at Compulsive Readers.

Published by Orion on 6th February 2020

The Blurb

Can you ever really know your neighbours?

When human remains are found in a ground floor flat, the residents of Nelson Heights are shocked to learn that there was a dead body in their building for over three years.

Sarah lives at the flat above and after the remains are found, she feels threatened by a stranger hanging around the building.

Laura has lived in the building for as long as she can remember, caring for her elderly father, though there is more to her story than she is letting on.

As the investigation starts to heat up, and the two women become more involved, it’s clear that someone isn’t telling the truth about what went on all those years ago…

My thoughts…

‘The Woman Downstairs’ is a story told by two women, Sarah and Laura. The book is split into two parts, and once you begin to read part two it’s practically impossible to book this book down!

Sarah is training to be a journalist, whilst trying to support herself and her teenage son after splitting from her husband. We find her in a new relationship with the elusive and questionable Rob. However, her ex-husband Andy is also popping in and out of her life.

Laura, on the other hand, has led an isolated life, looking after her ailing father. After her father died, she had to build the confidence to find employment and meet new people. She soon attracts attention, from new colleagues and a past school friend. Her life soon changes and there’s the potential of a relationship… but it soon it becomes clear that maybe she’d have been safer staying at home!

These two women’s stories overlap in the book’s central mystery of a body found in a ground floor flat.

For me, this read took its time to get to the addictive stage (this is by no means a negative comment), but when it did, wow, it completely hooks you in. What a page turner! It’ll also make you think more carefully about those around you, about what are truths and what could be lies. Who is hiding behind a ‘mask’?.

With embedded themes of appearance and reality, this is a thoroughly enjoyable mystery thriller that wraps its hooks into the readers and demands you keep turning its pages.

A thumbs up from me!

The Author

Elisabeth Carpenter lives in Preston with her family. She completed a BA in English Literature and Language with the Open University in 2011.

Elisabeth was awarded a Northern Writers’ New Fiction award and was longlisted for the Yeovil Literary Prize (2015 and 2016) and the MsLexia Women’s Novel award (2015). She loves living in the north of England and sets most of her stories in the area, including the novel she is writing at the moment. She currently works as a bookkeeper.

Published by Orion on 6th February