Welcome to my book-blog. I spend as much time as I can within the pages of a book and hope you'll get some reading inspiration from my library. Catch me on Instagram as well as books.tea.and.me – I'm always looking for recommendations!
Firstly, I have taken my eye of the ball, AKA my diary and COMPLETELY messed up. So, with sincere apologies to all – here’s my EMBARRASSINGLY late blog post for the fabulously dark and addictive THE BERESFORD. Please do keep scrolling for some bookish chat…
Just outside the city – any city, every city – is a grand, spacious but affordable apartment building called The Beresford.
There’s a routine at The Beresford.
For Mrs May, every day’s the same: a cup of cold, black coffee in the morning, pruning roses, checking on her tenants, wine, prayer and an afternoon nap. She never leaves the building. Abe Schwartz also lives at The Beresford. His housemate Smythe no longer does. Because Abe just killed him. In exactly sixty seconds, Blair Conroy will ring the doorbell to her new home and Abe will answer the door. They will become friends. Perhaps lovers.
And, when the time comes for one of them to die, as is always the case at The Beresford, there will be sixty seconds to move the body before the next unknowing soul arrives at the door. Because nothing changes at The Beresford, until the doorbell rings…
I loved the concept behind this novel after receiving the blurb – leaving your soul at the door? I’m in! The Beresford title has a tantalising pull to it too, so I jumped at the chance to join the blog tour.
Oh, Oh Oh Mrs May, you old devil you! A key player in THE BERESFORD is its caretaker, Mrs May. Seemingly fragile, a woman of routine, taking afternoon naps (ah, bless her) and taking care of her roses. She is also responsible for the tenants who reside at The Beresford, and believe me, there’s going to be quite a few to keep track of. However, firstly we must consider Abe, the first resident we are hooked onto – unfortunately we don’t get to meet Sythe, his housemate; he’s just killed him as the novel opens and so the tone of the novel is set… and the doorbell comes alive to mark the changing of residents. Carver again subverts form and structure, who we believe to be a central character is challenged and squashed throwing our expectations into disorientation until a pattern emerges. I did worry this formula would become a little benign and predictable as new characters emerged and the doorbell kept ringing – there are elements of this – but I think that’s the point; Carver’s capable authorial crafting controls and builds the narrative into a horror-fuelled climax.
Carver’s Beresford is without doubt a compelling concept. The reader is always thrust off-kilter by the narrative jumps and twists, although a seemingly expected pattern emerges, but as soon as you adjust, Carver promptly sends another swing ball your way. There’s no doubt this book is dark; the horror tone is played with through injected humour and character development. It’s a question of wants, needs, desires, escapism and society. It’s also a question of how far we can go to obtain what we want and feel we have the right to. It’s bold, direct and dark. It’s also an unabashed and crafted comment on humanity.
If you get a moment, do take a walk to The Beresford and just ring the doorbell… I’m sure you’ll be fine.
Will Carver is the international bestselling author of the January David series. He spent his early years in Germany, but returned to the UK at age eleven, when his sporting career took off. He turned down a professional rugby contract to study theatre and television at King Alfred’s, Winchester, where he set up a successful theatre company. He currently runs his own fitness and nutrition company, and lives in Reading with his two children.
Will’s latest title published by Orenda Books, Hinton Hollow Death Trip was longlisted for the Not the Booker Prize, while Nothing Important Happened Today was longlisted for the Theakston’s Old Peculiar Crime Novel of the Year and for the Goldsboro Books Glass Bell. Good Samaritans was a book of the year in Guardian, Telegraph and Daily Express, and hit number one on the eBook charts.
I’m delighted to be a part of Orenda Books blog tour for ‘this is how we are human’ by Louise Beech – thank you Anne, as always, for the invite. I’d previously read Beech’s ‘I am Dust’ and loved it, so couldn’t wait to read this new release. Do keep reading for the blurb and some bookish chat 🙂
Sebastian James Murphy is twenty years, six months and two days old. He loves swimming, fried eggs and Billy Ocean. Sebastian is autistic. And lonely.
Veronica wants her son Sebastian to be happy … she wants the world to accept him for who he is. She is also thinking about paying a professional to give him what he desperately wants.
Violetta is a high-class escort, who steps out into the night thinking only of money. Of her nursing degree. Paying for her dad’s care. Getting through the dark.
When these three lives collide – intertwine in unexpected ways – everything changes. For everyone.
‘THIS IS HOW WE ARE HUMAN’ caught my eye due to the subject matter of autism in early adulthood. We often hear about autism in much younger people, where there is a lot of support in place, however once a young person hits a certain age then this support can become much less visible, and the demands on the families much more complex. This book highlights the ongoing needs of a young autistic man called Sebastian, who loves ‘fried eggs’ and ‘swimming’ but is lonely. He’s also a young man who desperately wants to have sex.
At the heart of this book is struggle. The struggle to connect; the struggle to understand and the struggle to heal. Beech tells her story through three narrative perspectives, these fuse together with an emotive clarity as we follow the journeys of Sebastian, his mother Veronica and Isabelle AKA Violetta. The women’s stories for me added some really important depth to this story; I was fully immersed from the onset in the lives of this entwined trio.
Beech doesn’t hold back, and it’s right that the story is told openly, honestly and often brutally. This is difficult material but it’s successful because the characters are crafted with such care and openness you simply cannot fail to be ensnared by their stories. In particular, the voice of Sebastian dominants the novel and this turns the book into something special. Sebastian’s voice represents so many people with autism and reading this book provides a glimpse through his eyes: be prepared to laugh and cry as Beech juxtaposes beautifully so many aspects of the autistic world. This is a human story, with all its foibles. There’s devastation, adoration, deep love, brutal realities and harsh truths.
Insightful, thought-provoking and beautifully empathic writing from Louise Beech.
PS: Louise – this would make a great stage play!!!
It was lovely to be invited on the BLOG TOUR for WINTERKILL (thank you Anne!) and the atmospheric book cover design really caught my eye too; the bleak landscape looks a perfect setting for this latest book in the NORDIC NOIR Dark Iceland crime series, published by the fabulous ORENDA BOOKS. Please keep scrolling for lots of book information and chat…
The Book Blurb
When the body of a nineteen-year-old girl is found on the main street of Siglufjörður, Police Inspector Ari Thór battles a violent Icelandic storm in an increasingly dangerous hunt for her killer … The chilling, claustrophobic finale to the international bestselling Dark Iceland series.
Easter weekend is approaching, and snow is gently falling in Siglufjörður, the northernmost town in Iceland, as crowds of tourists arrive to visit the majestic ski slopes.
Ari Thór Arason is now a police inspector, but he’s separated from his girlfriend, who lives in Sweden with their three-year-old son. A family reunion is planned for the holiday, but a violent blizzard is threatening and there is an unsettling chill in the air.
Three days before Easter, a nineteen-year-old local girl falls to her death from the balcony of a house on the main street. A perplexing entry in her diary suggests that this may not be an accident, and when an old man in a local nursing home writes ‘She was murdered’ again and again on the wall of his room, there is every suggestion that something more sinister lies at the heart of her death…
As the extreme weather closes in, cutting the power and access to Siglufjörður, Ari Thór must piece together the puzzle to reveal a horrible truth … one that will leave no one unscathed.
Chilling, claustrophobic and disturbing, Winterkill marks the startling conclusion to the million-copy bestselling Dark Iceland series and cements Ragnar Jónasson as one of the most exciting authors in crime fiction.
The Blog Tour
Firstly, I need to admit that this is my first time reading Ragnor Jonasson’s DARK ICELAND books, so I’m very late to the series, and I’m beginning at the end! Jonasson has been billed as writing ‘Nordic Noir of the highest order’ and ‘breathing new life in Nordic Noir’, so I was very excited to read WINTERKILL. It’s the sixth installment in the series, which began in SNOWBLIND and introduced the series protagonist Detective Ari Thor Arason. So our principle character has obviously a long history with fans of these books, and I looked forward to reading to see how this works as standalone for a new reader. What a credit to the skills of the writer, that its quality narrative relays enough information to settle the reader in and the new investigation runs beautifully alongside this.
WINTERKILL is a quality Nordic Noir (translated brilliantly by David Warriner) that reels you in from the opening emergency operator call to the duty Inspector on call: Ari Thor Arason. Siglufjordur is the setting, a land of day and night, where the sun barely sets in the summer. It’s so remote, it becomes almost uninhabitable. This remote Northern Icelandic village provide the frozen backdrop to the investigation of a teenage girl’s body found in a unusual setting.
Now, in term’s of character, obviously I’m missing the previous character developments, so have only a surface level of understanding of this journey through the series narrative. I was aware I missed out, but in all honesty, it didn’t impede my enjoyment of this book. There’s a great sense of humanity in Ari, and you can’t help but respect how he works and lives; he’s a character who’s dealing with several issues in his private life as well and these pop up throughout the central crime story.
The investigation is a delight for the reader to follow, pick up clues and surmise where the plot is heading. It’s really well crafted and the quality of the translation adds to the success of this. The pace is slow, but works. The readers glances in onto different characters as Arason investigates the complex nature of a seemingly tragic suicide.
I did find the contemplative nature of the story-telling the more dominant aspect of the book, perhaps as it’s the end of the series, and therefore the crime is in a more secondary position. From the more reflective, personal thoughts of our protagonist the reader gets a sense of humanity, desires, needs, love and reflection – all working well to add depth. For many, this is the final book in a loved series, for me, it’s the start of a new adventure – to find out how we arrive at this point, and I look forward to beginning my journey.
An accomplished character driven crime novel, set in a unique world of snow and light, where the darkness in humanity is uncovered by a driven, complex and engaging protagonist.
Icelandic crime writer Ragnar Jónasson was born in Reykjavík, and currently works as a lawyer, while teacher copyright law at the Reykjavík University Law School. In the past, he’s worked in TV and radio, including as a news reporter for the Icelandic National Broadcasting Service. Before embarking on a writing career, Ragnar translated fourteen Agatha Christie novels into Icelandic, and has had several short stories published in German, English and Icelandic literary magazines. Ragnar set up the first overseas chapter of the CWA (Crime Writers’ Association) in Reykjavík, and is co-founder of the International crime-writing festival Iceland Noir.
Ragnar’s debut thriller, Snowblind became an almost instant bestseller when it was published in June 2015 with Nightblind (winner of the Dead Good Reads Most Captivating Crime in Translation Award) and then Blackout, Rupture and Whiteout following soon after. To date, Ragnar Jónasson has written five novels in the Dark Iceland series, which has been optioned for TV by On the Corner. He lives in Reykjavík with his wife and two daughters.
THE CORAL BRIDE is the sequel to the critically acclaimed WE WERE THE SALT OF THE SEA featuring Detective Morales; in this book it seems that a seemingly straightforward search for a missing fisherwoman is anything but. I’m really happy to be a part of this Blog Tour, with thanks to Orenda Books and Anne for the tour invite. Please keep scrolling for some bookish chat about THE CORAL BRIDE.
When an abandoned lobster trawler is found adrift off the coast of Quebec’s Gaspé Peninsula, DS Joaquin Moralès begins a straightforward search for the boat ’s missing captain, Angel Roberts – a woman in a male-dominated world. But Moralès finds himself blocked at every turn – by his police colleagues, by fisheries bureaucrats, and by his grown-up son, who has turned up at his door with a host of his own personal problems.
When Angel’s body is finally discovered, it’s clear something very sinister is afoot, and Moralès and son are pulled into murky, dangerous waters, where old resentments run deep…
‘The Coral Bride’ is the sequel to ‘We Were the Salt of the Sea’, (which I hadn’t realised) and like with many series books it certainly works well as a standalone. I’m definitely buying the first book to see what I missed and to find out more about the backstory of our central character: DS Joaquin Moralès. This book has all the elements of a good crime novel, and a carefully planned plot with a skillful drip feed of clues. However, it soon became clear that this was not only a crime read, but a glimpse into communities that live by and on the sea; it’s also a book about a woman who faces huge challenges working and living in a male dominated community of people who lives are wrapped up in the sea trade.
The constant presence of the sea as an integral part of, not only the investigation, but the lives of the key players and their communities and is beautifully written. It’s also a central and unforgettable character for the reader, and there’s some touching moments linking the ocean to our own lives and feelings. It also impacts the damaged and rebuilding relationship between a father and son. This is what I mean about the surprising layers in this book, and I absolutely loved the depth of the relationship we track with Joaquin and his son, Sebastien. The book takes its time to track their barriers, frustrations and longing, whilst the main mystery unfolds of a missing female boat owner and captain, Angel Roberts.
As the pace, mystery, and darkness develops the reader begins to understand the mind-set and communities that make their living on the sea. There’s a great cast of intriguing characters who are potential villains of the piece, and it’s great ‘watching’ DS Moralès work his way through the lies, grudges and suspicions as the darkness lurking under this community is slowly exposed.
A novel of the sea, of seafarers, grudges, feuds and manipulation told via a superb cast of characters, portrayed with grim detail, psychological damage, wit, humour, family loyalty and love: the shades in this novel are brilliant and it comes HIGHLY recommended from me!
Over ten years ago, Roxanne Bouchard decided it was time she found her sea legs. So she learned to sail, first on the St Lawrence River, before taking to the open waters off the Gaspé Peninsula. The local fishermen soon invited her aboard to reel in their lobster nets, and Roxanne saw for herself that the sunrise over Bonaventure never lies. Her fifth novel (first translated into English) We Were the Salt of the Sea was published in 2018 to resounding critical acclaim, sure to be followed by its sequel, The Coral Bride. She lives in Quebec.
The Blog Tour
Please do check out more bookish chat about THE CORAL BRIDE from these super book bloggers…
It’s my turn to chat about BETRAYAL by Lilja Sigurdardottir and published by Orenda Books, with thanks to Anne for the invite. This is an impressive Nordic Noir thriller set in the heart of Icelandic politics…
Burned out and traumatised by her horrifying experiences around the world, aid worker Úrsula has returned to Iceland. Unable to settle, she accepts a high-profile government role in which she hopes to make a difference again. But on her first day in the post, Úrsula promises to help a mother seeking justice for her daughter, who had been raped by a policeman, and life in high office soon becomes much more harrowing than Úrsula could ever have imagined. A homeless man is stalking her – but is he hounding her, or warning her of some danger? And the death of her father in police custody so many years rears its head once again. As Úrsula is drawn into dirty politics, facing increasingly deadly threats, the lives of her stalker, her bodyguard and even a witchlike cleaning lady intertwine. Small betrayals become large ones, and the stakes are raised ever higher…
This is an impressive thriller set within the world of Icelandic politics, and its multi-layered narrative hooks you in via the split perspectives of our central characters, headed by Ursula, as she begins a new ministerial post. The story is built through rather short, sometimes choppy chapters; I really enjoyed the structure of the story-telling, and it dispersed what could have been a heavy read. This is no doubt a busy book, with layers from the past and present pulling together as you pick up the threads of all the characters lives and how they interconnect, as the theme of betrayal roots itself.
I always enjoy the sense of place many Nordic crime novels share, and this book is no exception. From the stilted and austere rooms of parliament, to homes and cityscapes netted with snow, this is a carefully crafted read.
I enjoyed the principal characters of Ursula, Stella and Gunnar. Gunnar in particular is endearing and well-drawn. It’s the complexities of Stella that are also engaging, and her position of a cleaner, is a clever play of this flawed and important character. I enjoyed her interaction and overall plotting with Ursula.
Ursula herself, is complex and has to deal with extremely challenging situations. Her past haunts her, and this builds fascinating layers, particularly as she deals with the issues of her new role. She remains constant as she battles the politics and misogynism around her.
A disconcerting and determined thriller set within the dangerous world of corruption and politics. Highly recommended.
The Blog Tour
Icelandic crime-writer Lilja Sigurdardóttir was born in the town of Akranes in 1972 and raised in Mexico, Sweden, Spain and Iceland. An award winning playwright, Lilja has written four crime novels, including Snare, Trap and Cage, making up the Reykjavik Noir trilogy, which have hit bestseller lists worldwide. The film rights have been bought by Palomar Pictures in California. She lives in Reykjavík with her partner.
Orenda Books is a small independent publishing company specialising in literary fiction with a heavy emphasis on crime/thrillers, and approximately half the list in translation. They’ve been twice shortlisted for the Nick Robinson Best Newcomer Award at the IPG awards, and publisher and owner Karen Sullivan was a Bookseller Rising Star in 2016. In 2018, they were awarded a prestigious Creative Europe grant for their translated books programme.
Three authors, including Agnes Ravatn, Matt Wesolowski and Amanda Jennings have been WHSmith Fresh Talent picks, and Ravatn’s The Bird Tribunal was shortlisted for the Dublin Literary Award, won an English PEN Translation Award, and adapted for BBC Radio Four ’s Book at Bedtime. Six titles have been shortor long-listed for the CWA Daggers. Launched in 2014 with a mission to bring more international literature to the UK market, Orenda Books publishes a host of debuts, many of which have gone on to sell millions worldwide, and looks for fresh, exciting new voices that push the genre in new directions.
Bestselling authors include Ragnar Jonasson, Antti Tuomainen, Gunnar Staalesen, Michael J. Malone, Kjell Ola Dahl, Louise Beech, Johana Gustawsson, Lilja Sigurðardóttir and Sarah Stovell.
I’m really pleased to be featuring an extract from ‘Blood Red City’ today, I’d have loved to read it, but my review list was a little too long sadly, and I didn’t have enough time before the tour – it’s definitely on my list of books to buy soon! Can’t wait! Keep reading for the blurb, a gripping extract (I really want to keep reading!) and the author bio…
A witness but no victim. A crime but no crime scene…
When crusading journalist Lydia Wright is sent a video of an apparent murder on a London train, she thinks she’s found the story to revive her career. But she can’t find a victim, much less the killers, and the only witness has disappeared. Wary she’s fallen for fake news, she begins to doubt her instincts – until a sinister call suggests that she’s not the only one interested in the crime.
Michael Stringer deals in information – and doesn’t care which side of the law he finds himself on. But the murder on the train has left him exposed, and now he’ll stop at nothing to discover what Lydia knows.
When their paths collide, Lydia finds the story leads through a nightmare world, where money, power and politics intersect … and information is the only thing more dangerous than a bullet.
An extract from BLOOD RED CITY
The day’s penultimate job was an easy one, comparatively. He’d ordered things that way. The self-help manuals he used to read would advise tackling the hardest tasks on your list first; fine in theory, not so easy when there were lives at stake.
So that came next. For now, Michael Stringer had the home of London Assembly member Nigel Carlton in his sights. A nice semi on a nice road in Finchley, the streetlights casting the bay windows in amber relief. He’d done business in worse places.
His skin itched, waiting. Carlton had arrived home ten minutes prior, the house unlit before that. Stringer’s information was that Carlton’s wife was in Brussels for business – a regular occurrence, in his estimation the cover for an affair. Not Stringer’s concern in this matter, but professional rigour wasn’t something he could just turn on and off.
Ten minutes was just long enough. Carlton had showed up in a cab, so the chance of anyone else arriving separately was slim – but not zero. A mistake he’d made once before: on that occasion, Stringer had tailgated a target into his flat after watching him arrive alone, only to have the man’s secretary let herself in minutes later with her own set of keys, just as he was getting to it. Transpired the woman and the target took separate cabs from their office to keep their trysts under wraps.
But ten minutes was enough time to discount that possibility. Any longer ran the danger of a takeaway order showing up, or even the target leaving home again – a late-night urge for a bottle of Pinot or a bag of coke, or who fucking knew what.
Stringer rang the doorbell. The hallway light went on, and then the door opened without a sound. Carlton looked him over, the caution in his expression fading when he took in the wiry man in the charcoal-grey suit on his doorstep. Stringer didn’t immediately speak.
‘Yes?’ Carlton said.
Stringer raised the blue plastic document wallet in his hand. ‘We need to talk about these.’
Carlton squinted. ‘Sorry, have we met? Who—?’
‘The girl you’ve been emailing is fourteen years old. Did you know?’
‘What? What girl?’
‘Jennifer Tully – Jennycat18@hotmail.com. Her Facebook picture is her with glitter all over her face; I’m told it’s something the kids are into these days. If you swore to me she was eighteen I’d probably believe you, but I wouldn’t bet my career on it.’
Carlton dug into his pocket, produced his phone. ‘I’m calling the police.’
Stringer waited, staring at him doing nothing. ‘Well? You don’t need my permission.’
‘I don’t know … Look, you’ve got your wires crossed somewhere so why don’t you bugger off before…’ He swiped the phone to unlock it.
‘“Assembly Member”. That your title?’
Carlton looked up.
‘Awkward as honorifics go, so I’ll use Nigel. Nigel, have a listen to some of this.’ Stringer dipped his head, mimicking reading even though he had it memorised. ‘“I’ve been thinking about you all night, I couldn’t help myself, couldn’t sleep … I can smell you on my shirt and I just want to eat you up … I haven’t felt this way about anyone since I was a teenager … I don’t know what’s come over me.”’ Stringer handed him the email printout, pointing to the sender details at the top. ‘That’s you, yes?’
Carlton skimmed the page, his mouth coming ajar. ‘I’ve never … This is not me. I’ve never seen it in my life, I’ve never heard of this girl…’
‘Let’s go inside.’
‘Who the hell are you?’
Stringer jutted his chin. ‘Inside.’
Carlton backed up, staring at the printout as if he could wish it into thin air.
Stringer made his way down the hall and into a large kitchen, the rest of the house in darkness. The room was centred on a walnut-topped island unit and was straight out of a design catalogue: black bi-fold doors to the garden, brushed steel fridge, gleaming pans hanging above the counter. A cooker that looked like it’d never been lit. A faint smell of cleaning products.
Stringer took two glasses out of a cabinet above the sink and filled them with water. He set one down for Carlton and watched him inch down the hall, flipping the page to read the full email trail as he came.
‘I’ve been hacked.’ Carlton looked up, his face as pale as hypothermic flesh. ‘Where did you get these?’
Stringer pushed a glass towards him. ‘Word of advice: no one buys “I’ve been hacked” anymore. You’re supposed to use WhatsApp for this shit, Nigel. Snapchat.’
Carlton set the sheet of paper on the counter, the spotlights in the ceiling so bright it gave off a glare. ‘I’ve never seen any of these emails. Those are not my words, these are fakes.’
Stringer sipped his water. ‘You didn’t give me those, so where else would I have got them from?’
‘How the hell should I…?’ The penny dropped. ‘The girl?’
He frowned in confirmation.
Carlton rubbed his face.
‘Who are you?’
‘No it fucking isn’t. Why are you doing this to me?’
‘I’m just a fixer.’
‘Then who are you working for?’
‘You’re asking the wrong questions.’
As he brought the glass to his mouth again, Stringer’s shirt cuff gapped, flashing the melted skin on his arm. Carlton snapped his gaze to the counter, his discomfort a sure sign he’d noticed. Ten years ago Stringer would have made something of it; now he put the glass down and let his hand fall to his side. Not embarrassment; just taking away the distraction. ‘The question you need to ask is what am I going to do with these?’
‘I’m not having this.’ Carlton snatched up his phone again.
Stringer took out his own mobile and tapped the screen twice, Carlton’s phone vibrating a second later when the message came through. He stared at the image, his eyes flaring wide.
Stringer pointed to the picture, upside down from his viewpoint but more than familiar. It appeared to show a man and a girl at the start or end of an embrace. ‘As you know, that’s Jennifer Tully.’
‘No … no, I don’t know her…’ Carlton screwed his eyes shut, a memory coming back. ‘She dropped her purse, I picked it up for her and she gave me a hug. A thank-you thing, I was as surprised as anyone. I was on my way into Pret, for god’s sake.’
To Stringer, the snap looked too professional – the image a higher resolution than the average phone camera could manage, a red flag to anyone paying attention. But Nigel Carlton was a newborn baby, wiping his own shit out of his eyes in the harsh new world he found himself in.
‘There’s a dozen emails here, Nigel, and the photos. My guess is the Standard will put you on page five, but you might make the cover. And then the nationals will grab it, and that will be that. Fourteen years old … Christ.’
Carlton deleted the picture, visibly shaking. ‘This is a bloody setup.’
Stringer took his time putting his phone away, then stretched the silence to breaking point, taking a sip of water. ‘On Tuesday of next week, you’ll meet a gentleman named Jonathan Samuels at an office in the city. You’ll get a message telling you exactly when and where. Mr Samuels will have some suggestions for you to take back to your colleagues on the planning committee.’
‘What do you want?’
‘That’s Mr Samuels’ business. Miss the meeting and the story goes to the papers that afternoon. Speak to the police or anyone else about this and copies of everything go to your wife.’
Carlton planted his fists on the island. ‘No one would believe this of me. Least of all my wife.’
Stringer put his hands in his pockets, calling time on proceedings. ‘You sure about that?’ He moved closer to Carlton. ‘Absolutely sure?’ He stepped around him and made his way out of the house.
Rod Reynolds is the author of four novels, including the Charlie Yates series. His 2015 debut, The Dark Inside, was longlisted for the CWA New Blood Dagger, and was followed by Black Night Falling (2016) and Cold Desert Sky (2018); The Guardian have called the books ‘Pitch-perfect American noir’. A lifelong Londoner, in 2020 Orenda Books will publish his first novel set in his hometown, Blood Red City. Rod previously worked in advertising as a media buyer, and holds an MA in novel writing from City University London. Rod lives with his wife and family and spends most of his time trying to keep up with his two young daughters
Thank you to Anne Cater and Karen Sullivan @OrendaBooks for the invite onto the #Sister blog tour. I hadn’t read the other books in this series, so was excited to find out all about the Oslo Detectives in this Nordic Noir thriller.
Oslo detective Frølich searches for the mysterious sister of a young female asylum seeker, but when people start to die, everything points to an old case and a series of events that someone will do anything to hide… Suspended from duty, Detective Frølich is working as a private investigator, when his girlfriend’s colleague asks for his help with a female asylum seeker, who the authorities are about to deport. She claims to have a sister in Norway, and fears that returning to her home country will mean instant death. Frølich quickly discovers the whereabouts of the young woman’s sister, but things become increasingly complex when she denies having a sibling, and Frølich is threatened off the case by the police. As the body count rises, it becomes clear that the answers lie in an old investigation, and the mysterious sister, who is now on the run… A dark, chilling and up-to-the-minute Nordic Noir thriller, Sister is also a tense and well-plotted murder mystery with a moving tragedy at its heart, cementing Kjell Ola Dahl as one of the greatest crime writers of our generation.
I really enjoyed this Nordic Noir, what begins as a seemingly straightforward investigation becomes increasingly more complex. A topical issue of asylum seekers and deportation introduces themes of abuse, the immigration system, twisted truths, and murder. I loved the plotting and the drip feeding of clues as our investigator, and suspended detective, Frolich pieces the clues together in missing persons case that develops into murder and heart-break.
I haven’t read the previous books in this series, but it didn’t matter at all and ‘Sister’ works perfectly as a standalone. It’s an atmospheric novel, that is grounded in realism; the contours of the novel are meticulous and authentic. The social aspect is the standout message, rather than the crime aspect, and through the asylum story-line the reader is immersed into harrowing corruption and cover-ups. The core of this novel is dark and it forces you to open your eyes to the world that is often hidden.
Addictive, dark and complex.
One of the fathers of the Nordic Noir genre, Kjell Ola Dahl was born in 1958 in Gjøvik. He made his debut in 1993, and has since published eleven novels, the most prominent of which is a series of police procedurals cum psychological thrillers featuring investigators Gunnarstranda and Frølich. In 2000 he won the Riverton Prize for The Last Fix and he won both the prestigious Brage and Riverton Prizes for The Courier in 2015. His work has been published in 14 countries, and he lives in Oslo.
Blog Tour Dates
With thanks to Orenda Books for the gifted book and Blog Tour invite!
I’m super pleased to be on the blog tour for Louise Beech’s ‘I Am Dust’ – with thanks to Karen Sullivan/Orenda Books and Anne Cater for the lovely invite.
When iconic musical Dust is revived twenty years after the leading actress was murdered in her dressing room, a series of eerie events haunts the new cast… The Dean Wilson Theatre is believed to be haunted by a long-dead actress, singing her last song, waiting for her final cue, looking for her killer… Now Dust, the iconic musical, is returning after twenty years. But who will be brave enough to take on the role of ghostly goddess Esme Black, last played by Morgan Miller, who was murdered in her dressing room? Theatre usher Chloe Dee is caught up in the spectacle. As the new actors arrive, including an unexpected face from her past, everything changes. Are the eerie sounds and sightings backstage real or just her imagination? Is someone playing games? Not all the drama takes place onstage. Sometimes murder, magic, obsession and the biggest of betrayals are real life. When you’re in the theatre shadows, you see everything. And Chloe has been watching…
Immediately I regretted reading this book late at night: a creepy rhyme; the haunted theatre setting; the cursed Scottish play ‘Macbeth’ mentioned in the opening paragraph, and I was straight away seeing shadows in the corner of my room! I trained in a Repertory Theatre when I first started my theatre career, and this book took me back into the past. Backstage, props, the wings, the fly floor, actor companies, dressing rooms, corridors, front-of-house and superstitions. We had a resident ghost called the Grey Lady, and pretty much everyone working at the theatre had a creepy story to tell. I remember working backstage during the ‘Woman in Black’, I had to cover stage-right (essentially, a tiny dark corridor, with access to the even creepier sub-stage) by myself; there were many times I saw shadows ‘move’ and often felt watched. This is probably as the show was incredibly creepy to work on, where I had to create the Woman in Black’s ghostly effects… I’ve goose bumps writing this! Great memories…anyway, I’m digressing, back to what’s important, and that’s Louise Beech’s novel ‘I am Dust’.
I genuinely had a great time reading this, and if I hadn’t had to wait until the light of day to keep reading, it would have been a one sitting read. Without repeating the ‘blurb’ above this is essentially a murder mystery ghost story with depth. It’s intense, suspenseful and has a strong ‘I see dead people vibe’ from the cinematic world of ‘The Sixth Sense’. Beech provides a haunting narrative for the reader that wraps you up in the central protagonist’s story. Chloe Dee is our narrator, the theatre usher and, like many, dreams of being on the stage, but is fighting the confidence to push herself. We do connect with her fragility, and the damage she inflicts upon herself pulls in our concern. There’s certainly heartbreak in this story, and I really appreciated the emotional depth Beech provides.
With themes of obsession, desire, greed, shallowness and unrequited love this book is packed full of energy via its thoroughly entertaining storytelling – that’s what all good books should be: passionate storytelling! Louise Beech certainly can tell a great story. Fun, creepy, suspenseful escapism with heart – just what’s needed right now.
Many thanks to both the author and publisher for ‘I Am Dust’. From your reader! 🙂
Louise Beech is an exceptional literary talent, whose debut novel How To Be Brave was a Guardian Readers’ Choice for 2015. Her second book, The Mountain in My Shoe was shortlisted for Not the Booker Prize. Both of her previous books Maria in the Moon and The Lion Tamer Who Lost were widely reviewed, critically acclaimed and number-one bestsellers on Kindle. The Lion Tamer Who Lost was shortlisted for the RNA Most Popular Romantic Novel Award in 2019. Her short fiction has won the Glass Woman Prize, the Eric Hoffer Award for Prose, and the Aesthetica Creative Works competition, as well as shortlisting for the Bridport Prize twice. Louise lives with her husband on the outskirts of Hull, and loves her job as a Front of House Usher at Hull Truck Theatre, where her first play was performed in 2012.
Check out the amazing bloggers on this tour below for more book chat:
Huge thanks to Anne Cater and Orenda Books for the blog tour invite!
Police officer Alexander Blix and celebrity blogger Emma Ramm join forces to track down a serial killer with a thirst for attention and high profile murders, in the first episode of a gripping new Nordic Noir series…
The Book Blurb
Oslo, 2018. Former long-distance runner Sonja Nordstrøm never shows at the launch of her controversial autobiography, Always Number One. When celebrity blogger Emma Ramm visits Nordstrøm’s home later that day, she finds the door unlocked and signs of a struggle inside. A bib with the number ‘one’ has been pinned to the TV. Police officer Alexander Blix is appointed to head up the missing-persons investigation, but he still bears the emotional scars of a hostage situation nineteen years earlier, when he killed the father of a five-year-old girl. Traces of Nordstrøm soon show up at different locations, but the appearance of the clues appear to be carefully calculated … evidence of a bigger picture that he’s just not seeing… Blix and Ramm soon join forces, determined to find and stop a merciless killer with a flare for the dramatic, and thirst for attention. Trouble is, he’s just got his first taste of it…
I thoroughly enjoyed ‘Death Deserved’, the first book in the Blix and Ramm crime series, and steeped in Nordic Noir. I’ve read a few books recently that link the blogging world into the crime genre, but this brings something fresh to the table. It’s smart, intricately plotted and boosted by several moments of high tension. I really liked the characters of both Blix and Ramm, and look forward to reading more of the series. Both characters have vulnerabilities that create some fascinating depth and their developing relationship is unusual, so I’m curious to see where this may lead.
The serial killer in this book certainly has a flair for the dramatic, which is great for us readers! I loved trailing the crime scenes and attempting to work out who was behind it all. A challenging puzzle!
All in all, this book’s great. I didn’t want to put it down and would highly recommend it to crime novel fans. It’s smart, expertly paced, fuelled by tension and blooming fun to read!
Jørn Lier Horst and Thomas Enger are the internationally bestselling Norwegian authors of the William Wisting and Henning Juul series respectively.
Jørn Lier Horst first rose to literary fame with his No. 1 internationally bestselling William Wisting series. A former investigator in the Norwegian police, Horst imbues all his works with an unparalleled realism and suspense.
Thomas Enger is the journalist-turned-author behind the internationally acclaimed and bestselling Henning Juul series. Enger’s trademark has become a darkly gritty voice paired with key social messages and tight plotting. Besides writing fiction for both adults and young adults, Enger also works as a music composer. Death Deserved is Jørn Lier Horst & Thomas Enger’s first co-written thriller.